Barry Flanagan. the works

2024

©The Estate of Barry Flanagan

Barry Flanagan. the works was a unique reenactment by Assemble of Barry Flanagan’s lost 1969 film ‘the works’ which took place during London Frieze week. The durational performance lasted around three hours and reinterpreted Flanagan’s exploration of materials, labour, and transformation.

The original film of ‘the works’ – made by artist Barry Flanagan (1941 - 2009) – features someone named Collin lifting half a ton of sand in hessian sacks up a flight of stairs.

Original film still ©The Estate of Barry Flanagan

Original film still ©The Estate of Barry Flanagan

Original film still ©The Estate of Barry Flanagan

He empties the sand into one of Flanagan’s “casb” (canvas sandbag) sculptures, then goes downstairs and drills a hole in the ceiling. Sand begins to pour through the building, forming a sculptural mound on the floor. The film had been lost for decades until it was rediscovered in 2023.

Assemble worked in collaboration with The Estate of Barry Flanagan to reenact the piece. Elements from the original film were reinterpreted—similar hessian sacks and a large canvas bag were made for the occasion.

©The Estate of Barry Flanagan

©The Estate of Barry Flanagan

©The Estate of Barry Flanagan

©Hannah Goldsmith

Collin was replaced by three performers, in keeping with Assemble’s collective methodology. Performers took it in turns to carry the 20kg bags upstairs, helping each other to empty sand into the sculptural canvas bag.

Once this was filled with around 600kg sand, a fourth performer drilled a hole in the ceiling, allowing the sand to run through the building like an hourglass.

©The Estate of Barry Flanagan

©The Estate of Barry Flanagan

©The Estate of Barry Flanagan

Barry Flanagan. the works was a collaboration between Assemble, The Estate of Barry Flanagan, and Plinth, and took place in House of Annetta - a community centre in Spitalfields focussed on land justice and housing rights.

©The Estate of Barry Flanagan

©Hannah Goldsmith

The grade 2 listed building was formerly the home of Annetta Pedretti where she used the space for her experimental way of learning and organising community resistance. After her death in 2018, Annetta’s house was gifted by her family to Stiftung Edith Maryon, who appointed Assemble to develop a future for the semi-derelict building.

Sand pour test as Assemble's studios ©The Estate of Barry Flanagan

Sand donated to Spitalfields City Farm after the performance

©The Estate of Barry Flanagan

Thanks to the performers Agnieszka Szczotka, Assia Ghendir and Anthony Silvester and to X Muse for providing drinks.